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African Americans --- American fiction --- Harlem Renaissance. --- African American authors.

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A collection of stories includes the tales of a lonely professor who fears he is being made an accessory to murder and an adolescent who uses his brief career as a child actor to attract a girl.

Short stories, American. --- English --- Languages & Literatures --- American Literature --- American short stories --- American fiction

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Late twentieth and early twenty-first century America has been labeled as “The New Gilded Age,” a phrase that embodies the glitz and glamour of one of the wealthiest countries in the world but also suggests the greed, corruption, and inequalities teeming just below the surface. Identifying some of the sparkling moments of humanity interwoven between the moments of crisis, Best of Times, Worst of Times features short stories by such renowned writers as Junot Diaz, George Saunders, Jhumpa Lahiri, Tobias Wolff, and many others, whose distinctive authorial voices lend urgency and a sense of heightened awareness to the modern moment. Commenting on and making sense of what is going on in America today, fractured as it is by two ongoing wars, the aftermath of 9/11, Hurricane Katrina, and the worst economic collapse since the Great Depression, these stories speak to some of the most germane issues confronting America today, from race relations, immigration, and social class to gender issues, Iraq, and imperialism. These expertly culled, emotionally powerful stories provide the perfect mirror with which to examine the real state of the union.

Short stories, American. --- American fiction --- American literature --- American short stories --- United States --- Social life and customs

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"This ambitious literary history traces the American novel from its emergence in the late eighteenth century to its diverse incarnations in the multi-ethnic, multi-media culture of the present day. In a set of original essays by renowned scholars from all over the world, the volume extends important critical debates and frames new ones. Offering new views of American classics, it also breaks new ground to show the role of popular genres - such as science fiction and mystery novels - in the creation of the literary tradition. One of the original features of this book is the dialogue between the essays, highlighting cross-currents between authors and their works as well as across historical periods. While offering a narrative of the development of the genre, the History reflects the multiple methodologies that have informed readings of the American novel and will change the way scholars and readers think about American literary history"-- "This ambitious literary history traces the American novel from its emergence in the late eighteenth century to its diverse incarnations in the multi-ethnic, multi-media culture of the present. Original essays by internationally renowned scholars present fresh readings of American classics and break new ground to show the role of popular genres - such as science fiction and mystery novels - in the creation of the U.S. literary tradition. In an exciting departure from its predecessors, the essays in this book talk to each other. Their dialogue highlights surprising connections within and across eras. As a collective, interwoven chronicle of the nation's dominant literary genre, The Cambridge History of the American Novel will change the way we think about the history - and the future - of American literature"--

Literary semiotics --- American literature --- American fiction --- Roman américain --- History and criticism. --- Histoire et critique --- Roman américain --- History and criticism

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Working to reconcile the Christian dictum to ""love one's neighbor as oneself"" with evidence of U.S. sociopolitical aggression, including slavery, corporal punishment of children, and Indian removal, Elizabeth Barnes focuses her attention on aggressors--rather than the weak or abused--to suggest ways of understanding paradoxical relationships between empathy, violence, and religion that took hold so strongly in nineteenth-century American culture.Looking at works by Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Louisa May Alcott, among others, Barnes shows how violence

National characteristics, American, in literature. --- Sentimentalism in literature. --- Empathy in literature. --- Violence in literature. --- American fiction --- History and criticism.